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60+ years as an artist. As well, as a writer he has posted a few short stories, poems and essays in his Writings blog. Please have a
look, enjoy, share and comment. Most of the art is for sale, please email Joseph for a pricing quote or for reproduction usage terms.
Random Sample - Full collection of artwork, go to menu Gallery - All Paintings
Lake in Britain
Another cultivated landscape that came to my attention, so pastoral and different from Canadian or American lake views. Oil on canvas / 60.9 x 80. 2 cm / 1993
Roses in Vase
This is my last more detailed representational painting for the next twenty years. Oil on canvas board / 45cm x 40cm / 1958
Last Event
Earth, before the impact of an asteroid, and perhaps the end for most life. Oil on canvas / 76.2 x 96.5 cm / 1998
City Laundry #2
From the series “Laundry”. Somewhere in the past in a neglected city, a refreshing sign of cleanliness. Oil on Canvas / 101 cm x 76 cm / 1966 / Sold
Kaleidoscopic Space
Suggesting on the horizon, a window to Infinity. Acrylic on canvas / 96 cm x 81 cm / 1967
See-Hear-Speak Evil
Contrary to the saying those images emphasize the contrary in an ugly way. Oil on canvas / 76 cm x 87 cm / 2004
Order & Calculation Intruding
In my last three Hard Edge paintings before the decade of the sixties ended, I refrained from geometrical straight lines and employed open, loose forms. In this painting a small square that appears constructive and organized enters from the left like an intrusion. As to the method of Hard Edge paintings, refer to image Cliff […]
Autumn’s Forest
Difficult to put this painting into a style category. I chose representational because it is the view of a forest seen from above. Acrylic, Canvas, mixed Med. / 45.7 x 55.8 cm / 2002
The Ancient Cycle
Human existence varies constantly between war and peace. This painting shows peace between wars that seems more optimistic. In the end, it may even out but it is by no means a consolation. Acrylic on canvas / 55.8 x 91.4 cm / 2002
Gesäuse, Aut.
After laying off painting for ten years and producing over that time rather abstract work, this is my second painting in which I begin a representational phase. With no intention ever to exhibit (because in the avant-garde world it would be retro), I was free to paint as I liked. For that, I chose the valley near […]
Exit
Sometimes much of darkness around us, however, it is invigorating to see at the end of the tunnel a way out. Acrylic on Masonite / 124 cm x 101 cm / 1966
Sub-Caribbean Sea
In this rather abstract rendering, I attempt to capture with colours the transparency of objects below the surface, created by the light coming from above. Oil on canvas / 55.8 x 66.0 cm / 1994 / sold
Vision Concentrated
Technology is transmitting everything to us in a small, concentrated space. Acrylic and tape on canvas / 81 cm x 96 cm, / 1967
Tsunami Waves
One of the dozens of drawings I did, after having produced mostly abstract art for eight years. At this point, those drawings are a new beginning for the next twenty years of my visual art. Acrylic on Canvas / 76.2 x 101.6 cm / 2005
Study – Vienna / 52
Lines and tonal accents in this model’s appearance are brought to the essential. (Vienna Academy) Pencil on paper / 1952
Waterfall at Plitvice – Yugoslavia
A postcard view of an isolated and pleasing landscape with rocky hills and water. Oil on canvas / 71.1 x 55.8 cm / 1986
Early Autumn
Composition of Autumn’s characteristics: leaves and colours, without details. Oil on Canvas / 76 cm x 76 cm / 2003
Olga Neely / Kirkland Lake
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ann Neely to Toronto’s National Exhibition. Both Portraits of the Neely’s remained with the family. Oil on canvas board / 60 cm x 40 cm / 1954
Stretching and Yawning
In my last three Hard Edge paintings before the decade of the sixties ended, I refrained from geometrical straight lines and employed open, loose forms. After finishing this canvas, the central ‘figure’ suggested the comical title. As to the method of Hard Edge paintings, refer to image Cliff Structure. Acrylic on canvas / 121.9 x […]
Self-Portrait
Although formally related to Cubism, it is of representational character. This painting stems from a time before travelling to Canada. The background hints faintly at the left of an easel that remains behind and to the right the Ocean I would soon cross. Oil on laminated Cardboard 48.cm x 34.cm / 1953
Clouds Below #1
Cloud study at sunset. Oil on Canvas board / 30.4 cm x 40.6 cm / 1997
Condition Unchanged
From the Series “The Element: Creation”. Within its body the Moonscape remains strangely unchanged. Mod. Paste / Acrylic / Air brush on canvas / 78.7 x 83.9 cm / 1969
Atlantis, sunken City
My fascination with this ancient myth of a highly civilized, technically advanced city that one unknown day submerged into the Ocean. Oil on canvas / 78.8 x 101.6 cm / 1960
Sextet
Inspired by interwoven patterns of music by J.S. Bach. Six linear geometrical forms overlap as six instruments play different, non-conflicting melodies in space and time. Perhaps I was ready to shake off old restrictions but still keeping structure and composition. Oil on canvas board / 76cm x 55cm / 1958
Sea Vortex
Undersea activity, noticed from my own dimension. Oil on canvas / 81 cm x 71 cm / 1998
And Space Above
Town scape with far-reaching space above. Acrylic on Canvas / 142 cm x 81 cm / 1967
Composition #1 /98
Structures of Architectural buildings connected in space, floating. Oil on Canvas / 71 cm x 81 cm / 1998
Journey’s End in Galaxy X
The hypothetical assumption of someone visiting a planet where life evaporated. Mod. Paste/ Acrylic/ air brush on canvas / 101.6 x 121.9 cm / 1969
Chemical Plant
Modern science visually and magically expressed modern. Oil on Canvas / 45.7 x 60.9 cm / 1993
Bridge Burned
How many Bridges does one burn in a lifetime? Oil on Canvas / 84 cm x 117 cm / 1962 / SOLD
Comments (7)
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Hey Dad you’re well on your way to finishing this website. All looks good. best of luck!
Great web site. I was happy some pictures remembering some souvenirs.
Kiss to you and all tout Family. Jacques Toulouse France
So wonderful to view your art, Joseph. We are long time fans of your work!
Dear Sandra, thank you so much for you gracious comment pertaining my Website.
Joseph
délicieux – wonderful – echt stoark…. 🙂
herzliche Gratulation zu all den optischen Genüssen + spannenden Geschichten,
viele Grüße aus der Steiermark,
mit großem Dank,
Michi
Did he know Joan wishire martel?
I am not sure, would have to ask my sister?