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Mother and Child
My contribution to mothers, without symbolizing the sainthood in religious terms. Oil on heavy card board / 70 cm x 49 cm
Sculpture Relief by Donatello
This is the study from a cast copy relief, sculptured by Donatello. Pencil on paper /1950
First Sign of Spring
Crocuses end of March in Toronto. First sign of spring. Acrylic on Canvas / 38 cm x 43 cm / 1999
Autumn’s Forest
Difficult to put this painting into a style category. I chose representational because it is the view of a forest seen from above. Acrylic, Canvas, mixed Med. / 45.7 x 55.8 cm / 2002
Peony Impression
A feminine touch of colour and form. Air brush on paper / 38 cm x 48 cm / 1989 / painting went to the wife of Architect August Kremnitzer, Austria.
Summer Morning
In abstract terms, trying to catch with colours the coolness of an early summer morning. Oil on canvas / 76.2 x 76.2 cm / 2003
Blue Mountains
Not in Ontario. In either my representational or semi-abstract Landscape paintings is the reoccurring rendering of mountains. It is something that I keep remembering from my upbringing in Austria. The shapes have always fascinated and inspired me. Oil on Canvas board / 76. cm x 63 cm / 1959
Waterfall at Plitvice – Yugoslavia
A postcard view of an isolated and pleasing landscape with rocky hills and water. Oil on canvas / 71.1 x 55.8 cm / 1986
Vision Concentrated
Technology is transmitting everything to us in a small, concentrated space. Acrylic and tape on canvas / 81 cm x 96 cm, / 1967
Tribute to Rembrandt
In the original, Rembrandt painted his son, reading. In my version however, I was trying to capture the essence of what made this painter so different from other painters. My tribute to Rembrandt is not meant as a copy of the original with his skill in technique or observation but, although in an semi-abstract manner, to emphasize the mystery and depth he […]
Imaginary Mountains
Landscape of rough mountains, only in my mind. Pencil drawing / 20 cm x 25 cm / 1989
Le Gorge du Tarn #2
Remembering in France the little town after the river, over a bridge in darkness but artificial light in a romantic Setting. Oil on Masonite / 59.6 x 90.1 cm / 1983
Flashlight on Laundry
From the series “Laundry”. A view of a large attic, checking in the evening if the laundry was dry. Oil on Canvas / 78 cm x 94 cm / 1966
Light Reveals Darkness
Conceptual rendering. Oil on Canvas / 48 cm x 35 cm / 1963 / at Vienna
Still Life – Blue Vase and Flowers
Flower arrangement, composed of 4, each of primary colours. Oil on Canvas / 81 cm x 61 cm / 1964
Window in Winter
This is a Still-life with a landscape seen through a window in Winter. I used the same composition for “Window in Spring” and “Window in Autumn”. Oil on cardboard / 73 cm x 50 cm / 1957
City Scape
A more painterly, less architectural constructed city in a friendly, golden light. Oil on canvas / 91.4 x 71.1 cm / 1961
Eisenerz / Oswaldi
View of my hometown Eisenerz with Oswaldi church from the 12th Century. Pencil drawing on paper / 1950
And Space Above
Town scape with far-reaching space above. Acrylic on Canvas / 142 cm x 81 cm / 1967
Between Worlds
We are between worlds in the spectrum of all elements the Universe has to offer. Acrylic on Canvas / 81 cm x 81 cm / 1967
Self-Portrait
Although formally related to Cubism, it is of representational character. This painting stems from a time before travelling to Canada. The background hints faintly at the left of an easel that remains behind and to the right the Ocean I would soon cross. Oil on laminated Cardboard 48.cm x 34.cm / 1953
Reclining Female / 52
The contour of this female drawing has added accents to emphasize its form. (Study at the Academy of Fine Arts, Vienna). Pencil on paper /1952
Hanging Laundry
Figurative: From the series “Laundry” , hanging clothes in the city on top of an apartment building. Oil on Canvas / 96 cm x 81 cm / 1966
Deserted Postcard Resort
Beautiful scenery seen on my travel in Spain. However, in this painting of Collioure, St. Vincent Beach, the town is void of any human population. Notice in front of the boats two giant figure imprints in the sand and a large beach ball beside. Oil on Canvas / 60.9 x 81.2 cm / 1986
Remnant Unidentified #2
This painting is a copy of the original Remnant Unidentified # 1. My science fiction interpretation. What, if we ever could visit a planet whose population has died out… Or vice versa, after mankind on earth has long disappeared, if a space traveller would land? Oil on Canvas / 81.2 x 106.6 cm / 1995
Departure #1 / 53
My design proposal (draft) for my Diploma work at the Academy of Fine Arts, Vienna, as outlined on the original painting, “Departure #2”. Note the composition of form and colours that suggest separation. Oil on Cardboard / 64.7 x 48.2 cm / 1953
Middle east Metamorphosis
In my painting, the middle part is showing an Egyptian Pyramid, intact millennia ago, under blue sky. To either side we see the presence, and over time the decay, of Greek and Roman structures. The dark, smoky clouded sky conveys the ongoing conflicts to this day in the Middle East. Oil on canvas / 55.8 […]
Icarus of the 20th Century
The earth evolved, ended up with humans that acknowledge the Universe, engage eternally, as last century in spaceflight, to conquer the impossible, as Icarus on his flight to the sun. Acrylic on Canvas / 152 cm x 101 cm / 1967
Cataclysm
This composition depicting a natural disaster exposes the fear and angst of the living on our planet. Black and white heightens the drama. Black ink wash over pen drawing / 1953
Red Cliff and Mountains
This landscape I saw only in my mind. Oil on Canvas / 55.8 x 71.1 cm / 1986
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