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Penetrating Light
The spiritual presence in space and time. Oil on Canvas / 81.2 x 101.6 cm / 1996
Cliff Structure
The choice of cliffs as subject lent itself using the Hard Edge technique to achieve a dimensional appearance. This is technically one of seven first Hard Edge paintings. Although this Hard Edge term existed already for ten years (of which I was barely aware), my work is totally without influence and does not resemble any […]
Anne Neely
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ms. Anne Neely to Toronto’s National Exhibition. The Portrait remained with the family at Kirkland Lake, Ontario. Oil on canvas board / 50 cm x 40 cm / 1954
Group of Pines
Somewhere in a remote northern forest on a misty day. Oil on canvas / 60.9 x 76.2 cm / 2007
Park in Spring
The Style-category of this painting is called Semi-abstract but being void of a human being it has a touch of Surrealism. Oil on Cardboard / 49 cm x 69 cm / 1957
Early Autumn
Composition of Autumn’s characteristics: leaves and colours, without details. Oil on Canvas / 76 cm x 76 cm / 2003
Conclusion in Sadness
Regarding the title I ask myself, why? But otherwise a commendable painting. Oil on Canvas / 101 cm x 86 cm / 1962
Female / watercolor / 51
Study of a female model with watercolor. Watercolour on paper / 1951
St. John’s, Nfld.
A back lane in the city of St. John’s, Newfoundland showing the Atlantic Ocean and colourful houses. This route was familiar to our son Allan who finished his studies at the University. Oil on canvas / 60.9 x 76.2 cm / 1996 / sold
Vertical Flow / 3 panels
Unusual flow, shown in three panels, that begins in the sky, flows through a landscape and ends in a sea. Oil on canvas / 121.9 x 66.0 cm / 1995
Expiration
This painting belongs to the Series “The Element: CREATION” – in itself the title of a painting that illustrates the Big Bang theory. The series then ends with EXPIRATION assuming, as shown, that all created bodies expire eventually from the centre out, the same way everything began. Acrylic with air brush on canvas 86.3 x […]
Self Portrait / 51
View is through the mirror reversed. Consequently it seems that I am drawing with my left hand while holding my Sketch block, which I am not. Pencil on paper / 1951
Cosmos X
My imaginary Cosmos farther away than the real one, and not anymore in existence as we see it. Oil on Canvas / 91 cm x 91 cm / 2004
City Laundry #1
From the Series “Laundry”. In narrow European streets the laundry would hang outdoors to dry. Oil on Canvas / 96 cm x 81 cm / 1966
Light Fading
The source of light in this landscape is uncertain. If anything, it seems to come from within. Oil on canvas / 71.1 x 82.2 cm / 1998
Winding River
This is an imaginary summer time landscape in the countryside with farming, no village, no town in sight. In the right cornfield there the once mysterious circles visible. Oil on canvas / 83.8 x 137.1 cm / 1995
Lake Rousseau Cottage
Back to the Impressionists for one more self-evident aesthetic view. Oil on canvas / 61 cm x 76 cm / 2004 / Sold
Departure #1 / 53
My design proposal (draft) for my Diploma work at the Academy of Fine Arts, Vienna, as outlined on the original painting, “Departure #2”. Note the composition of form and colours that suggest separation. Oil on Cardboard / 64.7 x 48.2 cm / 1953
Autumn go Gentle into the Frost
The earthly, worldly and physically transition from a onetime stable, blooming existence, changing to a withering state before the winter is a metaphor to humans in that we hope the conversion toward an icy space may be gentle. Oil on canvas / 76.2 x 96.5 cm / 1998
Gesäuse, Aut.
After laying off painting for ten years and producing over that time rather abstract work, this is my second painting in which I begin a representational phase. With no intention ever to exhibit (because in the avant-garde world it would be retro), I was free to paint as I liked. For that, I chose the valley near […]
Cycle of Time
In human terms, movement as planets circle stars will give the notion of time. Acrylic on Canvas / 101 cm x 101 cm / 1968
Composition Textured
Whatever explanation a viewer about this painting may be seeking, I would have to refer to clarifications in works as “Impromptu” and “Forms contrasted”. The latter is a graphite drawing with different designs in the many patterns as applied also in “Composition Textured”, except here enhanced and diversified through colours. Oil on canvas / 83.8 […]
Ttsunami Wave
One of the dozens of drawings I did, after having produced mostly abstract art for eight years. At this point, those drawings are a new beginning for the next twenty years of my visual art. Pen drawing on grey paper with white wash/ 1979
Clouds into Space #2
Earth, clouds, sky, space, orbits to the source of energy at centre. Oil on Canvas / 76 cm x 101 cm / 1993
Mother and Child
The title does not characterize the drawing. It has only a vague relation to that lable. Ink drawing on cardboard, 1978
Composition #2 /95
Figures on a sandy beach. Acrylic on Canvas board / 61 cm x 51 cm / 1995
Quartet / 61
The warm colours of this venue in a chamber music setting reflects the possible pleasant sound. Oil on Canvas / 81.2 x 66.0 cm / 1961
Nude -Sitting – Vienna / 53
In this study the lines and tonal accents become minimal as poems are not descriptive. (Vienna Academy) Pencil drawing on paper / 1953
Tsunami Waves
One of the dozens of drawings I did, after having produced mostly abstract art for eight years. At this point, those drawings are a new beginning for the next twenty years of my visual art. Acrylic on Canvas / 76.2 x 101.6 cm / 2005
Peony Impression
A feminine touch of colour and form. Air brush on paper / 38 cm x 48 cm / 1989 / painting went to the wife of Architect August Kremnitzer, Austria.
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