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Light Fading
The source of light in this landscape is uncertain. If anything, it seems to come from within. Oil on canvas / 71.1 x 82.2 cm / 1998
Suburb of Saintes
Visiting family in the city of Saintes, France – this was the view from a window, showing the outskirts of the city in May. Oil on canvas board / 40.6 x 55.8 cm / 1990
Orange Mountains
Small painting in a slight Renaissance style and a place as if it were in the Middle East. Oil on Canvas board / 40.6 x 30.4 cm / 1985 / Germany
Autumn go Gentle into the Frost
The earthly, worldly and physically transition from a onetime stable, blooming existence, changing to a withering state before the winter is a metaphor to humans in that we hope the conversion toward an icy space may be gentle. Oil on canvas / 76.2 x 96.5 cm / 1998
Subsea
For someone like myself, growing up in a valley between mountains, the Subsea in the Bahamas was a new experience that enriched my palette. Oil on wood panel / 40.6 x 50.8 cm / 1993
Study – Vienna / 53
After eight years of drawing figures (or anything for that matter) my interest lay in eliminating the obvious reality. First to concentrate on the essential of the object and second adopt my own reality. In all those studies over the years, I have never had in classes the urge to adapt any of the forms my classmate exercised. (Vienna […]
The Elements
My concept in showing Air, Water, Earth and Fire, making up the elements that helped shape us and surround us. Oil on canvas / 91.4 x 121.9 cm / 2003
Forms Contrasted
Aside from the diversity of all the patterns displayed, note that a line begins at the upper left that has no dead-end but coincides to create fields with many different shapes and sizes. Those patterns have again various shades and graphic designs, in contrast to its surrounding. This type of spontaneous creativity and method I […]
Penetrating Light
The spiritual presence in space and time. Oil on Canvas / 81.2 x 101.6 cm / 1996
The Eye
A center point that receives shapes and colours as a human’s brain is able to transmit to the Self. Yes, what is the eye, we take usually for granted? Oil on canvas / 91.4 x 91.4 cm / 2007
Lake / 60
Lake with mountains as I remembered. Oil on canvas / 55.6 x 40.6 cm / 1960
Remnant Unidentified #2
This painting is a copy of the original Remnant Unidentified # 1. My science fiction interpretation. What, if we ever could visit a planet whose population has died out… Or vice versa, after mankind on earth has long disappeared, if a space traveller would land? Oil on Canvas / 81.2 x 106.6 cm / 1995
Out of Paradise
Yes, so it is told in Genesis but frequently in life we are losing our current grace and stand before a new beginning. Oil on Canvas board / 66.0 x 55.8 cm / 1960
Departure #1 / 53
My design proposal (draft) for my Diploma work at the Academy of Fine Arts, Vienna, as outlined on the original painting, “Departure #2”. Note the composition of form and colours that suggest separation. Oil on Cardboard / 64.7 x 48.2 cm / 1953
Scarborough Bluffs
Historical view. The foreground has since changed drastically. Oil on Canvas / 76.2 x 50.8 cm / 1988
Web of Light
The summer air is moving the light in landscape. Oil on canvas / 55.8 x 76.2 cm / 2003
Archeological Findings
A layout of ancient objects with a minimum of light as if they were still below ground. As to the method of Hard Edge paintings, refer to image Cliff Structure. Oil glazing on canvas / 96.5 x 83.8 cm / 1965
Knight to Jerusalem
From my watercolour series, a suggestive rendering of the subject. Creon drawing and watercolour on paper / 1959
King David
In this figurative painting I attempted to honour the arts, as music and poetry that has come from the past down to us. Oil on Masonite / 65 cm x 48 cm / 1957
Red Mountains #1
Uprising rocks, caused by continental plates colliding, transmitting hot lava. Oil on Canvas board / 76 cm x 56 cm / 1959
Laundry in Landscape
From the series “Laundry”, the drying of clothes on a line as it used to be. Oil on Canvas / 96 cm x 89 cm / 1966
Flower Still-life
This is in colour a more subdued composition with minor emphasis on reality or the flowers themselves. Oil on canvas / 50.8 x 40.6 cm / 1961
Sub-Caribbean Sea
In this rather abstract rendering, I attempt to capture with colours the transparency of objects below the surface, created by the light coming from above. Oil on canvas / 55.8 x 66.0 cm / 1994 / sold
Jeanine Remembered
My wife gave me most of my life the means and opportunity to follow my artistic path and inspired my creative side until 2007. This portrait, although painted two years later, done to console myself but more so out of gratitude. Oil on canvas / 45.5 x 35.5 cm / 2009
La Quinta, California
Following golf on television, this view came to my attention. I never envisioned painting a golf course, but this layout with the mountains as a contrast in the background changed my mind. Acrylic on canvas / 71.1 x 81.2 cm / 2000
Composition / Hard Edge
This Hard Edge painting consists of various shapes and colours that are in contrast to each other, as I hope in a creative manner. Acrylic on canvas / 121.9 x 60.9 cm / 1968
Deserted Postcard Resort
Beautiful scenery seen on my travel in Spain. However, in this painting of Collioure, St. Vincent Beach, the town is void of any human population. Notice in front of the boats two giant figure imprints in the sand and a large beach ball beside. Oil on Canvas / 60.9 x 81.2 cm / 1986
Growth
The growth is in the gesture not in the simulation of everyday natural evolution. Oil on canvas / 66.0 x 55.8 cm / 1996
Friendly Avenue
A bird’s eye view of a city street. Its buildings and joyous colours seem to open the avenue. Creon drawing and watercolours on paper / 1961
Lake in Britain
Another cultivated landscape that came to my attention, so pastoral and different from Canadian or American lake views. Oil on canvas / 60.9 x 80. 2 cm / 1993
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