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Sculpture Relief by Donatello
This is the study from a cast copy relief, sculptured by Donatello. Pencil on paper /1950
Wrecking Crew
As for the subject I do not remember how this came to mind but has to do with housing projects when rightly or wrongly a tenant has to move out. As to the method of Hard Edge paintings, refer to image Cliff Structure. Oil glazing on canvas / 88.9 x 78.7 cm / 1965
Bridge Burned
How many Bridges does one burn in a lifetime? Oil on Canvas / 84 cm x 117 cm / 1962 / SOLD
La Quinta, California
Following golf on television, this view came to my attention. I never envisioned painting a golf course, but this layout with the mountains as a contrast in the background changed my mind. Acrylic on canvas / 71.1 x 81.2 cm / 2000
Unconventional
For my development an unconventional, mainly considering the form of my development; mentally it is breaking out from a groove I was in. Oil on Canvas board / 76cm x 55cm – 1958
3. TUNNEL / Gorge du Tarn #2 /
A view from our travels in France, that leads through the central region with rivers, rocks and ice caves. Oil on canvas board / 55.8 x 45.7 cm / 1983 / Austria
Mountains, air brush
At sunset in the mountains. Air brush on paper / 38 cm x 48 cm / 1989
Group of Trees
Sculptured trees seen reflected as in water. Oil on canvas / 55.8 x 76.2 cm / 1961
City Laundry #2
From the series “Laundry”. Somewhere in the past in a neglected city, a refreshing sign of cleanliness. Oil on Canvas / 101 cm x 76 cm / 1966 / Sold
Beyond my Recollection
A series of paintings in a similar manner of brush strokes, that give the areas an almost poetic life. The subject is a psychological dilemma in which I am trying to solve what I vaguely remember only in a visual presentation. Oil on Canvas / 116cm x 86 cm / 1962
Linear Study / 52
The emphasis in this study is more on the facial expression of the woman than body. (Vienna Academy) Pencil drawing on paper / 1952
Little Artist at Work
Our granddaughter Evelyn, seven years old, is showing her early interest and dedication toward visual art. Acrylic on canvas board / 40.6 x 50.8 cm / 2001
Canyon /97
Canyon at sunset mood. Oil on Canvas / 91.4 x 66.0 cm / 1997
Between Worlds
We are between worlds in the spectrum of all elements the Universe has to offer. Acrylic on Canvas / 81 cm x 81 cm / 1967
Rocket Launch Pad
A special time in the 1960’s of space exploration, observing those rockets blast off; suspenseful if the intended hardware or human, his mission, will succeed. It lead to fierce competition between the USA and Russia to conquer this new frontier. They created mistrust that escalated the Cold War. At the same time, because of enormous […]
Summer in the Garden
Rows of flowers, bushes, trees to give shade in the heat. At the far end Jeanine watering, keeping order, while the painter tries to capture this timely moment. Oil on canvas / 81.2 x 96.5 cm / 1997
Town-Planning
What do we do with all the space left but dwindling resources? Acrylic on Canvas / 96 cm x 81 cm / 1967
TSUNAMI / 2005
To commemorate the devastating tsunami at Thailand in 2004, with another wave approaching. Symbolically only one person between the rubble is visible in front. Acrylic on Canvas / 76.2 x 101.6 cm / 2005
Architectural Complex
Composition resembling architecture. Oil on Canvas / 60.9 x 55.8 cm / 1998
Kolob Canyon (Utah) USA
Spectacular rock formation. Acrylic on Canvas board / 40.6cm x 50.8 cm / 2002 / sold
Symbol of Life
This early produced painting is in its concept classified under Surreal, however, the combination of objects as woman (life giver), nature, as sun, earth, blooming tree and stork pointing to the title equally as Symbolism. Oil on wood panel / 50 cm x 40 cm / 1953
Forms in Space
Layers of flat planes with openings that are ascending and descending endlessly. Oil on Canvas board / 71cm x 51 cm / 1959
Yonge Street, 1771
This painting was commissioned in 1970 by the German Historical Society, showing German farming Immigrants building for Governor Simcoe Toronto’s Yonge Street to commemorate the 200th anniversary. As a historical, representational theme, this work was like a visual essay, that required much research. In the execution, I had to rely on my formal (classic) training, which I did not practice […]
Gusti, 1956
A friend of mine who agreed to sit for me so I could draw her. Pencil on Paper / approx. 32 cm x 26 cm / 1956 / work remained with the family
Venice / Copy
The CBC produced a documentary in 1994 about the Canadian painter James W. Morrice who lived, travelled, and painted in Europe for thirty years until his death in 1924. As a scenic artist, the production management asked me to reproduce this painting for the shoot. Oil on wood panel / 40cm x 50 cm / […]
Winding River
This is an imaginary summer time landscape in the countryside with farming, no village, no town in sight. In the right cornfield there the once mysterious circles visible. Oil on canvas / 83.8 x 137.1 cm / 1995
Mother and Child
The title does not characterize the drawing. It has only a vague relation to that lable. Ink drawing on cardboard, 1978
Watteau’s Autumn
The treatment of tree and colours in this imaginary landscape reminded me of Watteau. Oil on canvas / 66.0 x 55.8 cm / 1989
Orange in Landscape
The title should be “Orange colour in Landscape”, used here to give the green a livelier and more interesting contrast. Oil on canvas / 55.8 x 76.2 cm / 1961
Self-Portrait
Although formally related to Cubism, it is of representational character. This painting stems from a time before travelling to Canada. The background hints faintly at the left of an easel that remains behind and to the right the Ocean I would soon cross. Oil on laminated Cardboard 48.cm x 34.cm / 1953
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