It seems we can't find what you're looking for. Perhaps searching can help.
Loading…
Category: All
Sort by: Random
Order: Ascending
Erzberg #2
Iron Ore Mountain, 1465 metres, at Eisenerz, Austria, my hometown where I was born. The red-brown shades of colours against the blue sky have attracted many painters to capture that contrast. Oil on Masonite / 76.2 x83.8 cm / 1965
Beast in Landscape
Since the colour green reminds us of all its different shades in nature, painters have almost found it NOT employable in semi-abstract expressions. It seems to lack depth and has symbolically little to say. Unlike the primary colours. They have many meanings. For example, Blue can be mysterious, expresses the infinite, and symbolizes Heaven. Yellow […]
City’s Pollution
Although pollution usually appears grey, in my rendering one may associate the yellows with the toxic acids that circle a city. Mod. Paste & Acrylic on canvas / 81.2 x 101.6 cm / 1968
Group of Pines
Somewhere in a remote northern forest on a misty day. Oil on canvas / 60.9 x 76.2 cm / 2007
Tribute to Rembrandt
In the original, Rembrandt painted his son, reading. In my version however, I was trying to capture the essence of what made this painter so different from other painters. My tribute to Rembrandt is not meant as a copy of the original with his skill in technique or observation but, although in an semi-abstract manner, to emphasize the mystery and depth he […]
Iceberg #2
My fascination about Icebergs with their peculiar changing shapes in the North Sea inspired me to paint my own. Oil on canvas board / 40.6 x 50.8 cm / 1983 / Gifted
Dwelling
Unusual configuration of housing, in pieces, taken apart as it were. Oil on canvas / 76 cm x 55 cm / 1961
Clouds into Space #1
First version of this subject: connection with the Universe. Oil on Canvas / 56 cm x 71 cm / 1987 / painting is in France
Riches of the Earth #2
My impressions of Kirkland Lakes Mines of the past, with its structures we never see. Different mood as in Riches of the Earth # 1 Oil on Canvas / 66 cm x 81 cm / 1959
Forest Impressions
If it were not for the darkness, the shapes and filtered colours of a forest and its lucidity can remind one of a stained glass window. It is suggested that the tall trees of a forest grove can feel like a natural cathedral. Acrylic on canvas / 91.4 x 76.2 cm / 1968
Light Reveals Darkness
Conceptual rendering. Oil on Canvas / 48 cm x 35 cm / 1963 / at Vienna
North Ontario
This landscape is in its character only a simulation of Northern Ontario, and entirely freely composed. Acrylic on canvas board / 30 cm x 40 cm / 1997 / France
Ring Nebula
Painted from an image taken through a telescope. Oil on Canvas / 60.9 x 50.8 cm / 2001 / not for sale
Flashlight on Laundry
From the series “Laundry”. A view of a large attic, checking in the evening if the laundry was dry. Oil on Canvas / 78 cm x 94 cm / 1966
Remnant Unidentified #1
Meaning of this image is explained in “Remnant Unidentified #2, 1995”. Oil on Canvas board / 40.6 x 50.8 cm / 1985
North of Sixty / 91
First version of the merciless, secluded landscape along the sixty meridian arc. Oil on canvas / 40.6 x 55.8 cm / 1991
The Village Beneath
Although at first glance appearing like an abstract painting, the objects are viewed from way above. They then become familiar, as a hamlet with surrounding landscape. Acrylic on Masonite / 38.1 x 43.2 cm / 1999
Sea Lions
The animal family. Pen drawing on light blue paper / approx. 24 cm x 30 cm / 1979
Nude Sitting
Composition of a reclining woman. Oil on Canvas / 91 cm x 71 cm / 1966
First and Last Act of Civilisation
Unlike in a play, where the last act can show a change from the first act – in human history the last act may be as void as it was in the beginning. Mod. Paste / Acrylic on canvas / 60.9 x 66.0 cm / 1969
Brooding Universe
Events in the Universe, mood-like, transitional in the making. Oil on Canvas / 60.9 x 50.8 cm / 1989 Gifted.
Northern Forest
A mixture of healthy and decaying trees, brushwork laying criss-cross at the edge of lakes, ponds, stagnant waters with rock formation surfacing. As to the method of Hard Edge paintings, refer to image Cliff Structure. Oil glazing on canvas / 76.2 x 81.2 cm / 1965 / Sold od
San Rafael Desert, Utah
This is as far as I would go with Realism. Still painterly. Oil on Canvas / 76.2 x 91.4 cm / 2004 / not for sale.
Reclining Female / 52
The contour of this female drawing has added accents to emphasize its form. (Study at the Academy of Fine Arts, Vienna). Pencil on paper /1952
Iceberg #3
Another version of imaginary ice mountains that glimmer from sunshine in the blue sky. Oil on canvas / 55.8 x 76.2 cm / 1983 / Gifted
Bastion Concrete
Within a threat being safe and trying to defend a principal. Oil on Canvas / 88.9 x 76.2 cm / 1961
Boat with Moon
A slightly romantic setting of distant past. Mod. Paste & Oil on Masonite / 69.8 cm x 49.5 cm / Sold
Landscape / 2003
A different take of an imaginary field with bushes and forest. Acrylic on canvas / 55.8 x 91.4 cm / 2003
Diagonal
No comment – Oil on Canvas – 1967
Bahamas’ Shore
Rough shoreline, warm blue waters and sky in the Bahamas. Oil on Canvas / 40.6 x 50.8 cm / 1987 / to Gabriella / Graz
Recent Comments