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Rain Forest
A number of my paintings may appear abstract but are in fact representational. Seen from a birds-eye view; a wide-ranging landscape. Acrylic on Canvas / 55.8 x 60.9 cm /2000
Blue Fruit – Still-life
Neo-cubistic approach to Still-life. Oil on Wood Panel / 30.4 cm x 43.2 cm / 1964
Wrecking Crew
As for the subject I do not remember how this came to mind but has to do with housing projects when rightly or wrongly a tenant has to move out. As to the method of Hard Edge paintings, refer to image Cliff Structure. Oil glazing on canvas / 88.9 x 78.7 cm / 1965
Forms in Space
Layers of flat planes with openings that are ascending and descending endlessly. Oil on Canvas board / 71cm x 51 cm / 1959
Helmut / 1949
Portrait, the profile of my nephew, Helmut. Pencil on paper / 1949
Harmless Asteroid
It will burst into pieces before hitting the earth, and give us a spectacular firework. Oil on canvas / 81.2 x 91.4 cm / 1998
Fairy Castle
Our dreams like seen in a looking-glass that emerge every so often from dark, uncertain places. Oil on Canvas board / 76 cm x 63 cm / 1959
Lookout
no comment – airbrush on paper – 1988
Bouquet of Roses
After not painting for seven years I took up again a representational style. Oil on Cardboard / 60.9 x 40.6 cm / 1978 / this work went to Sophie Jucker / Swiss
Composition / Hard Edge
This Hard Edge painting consists of various shapes and colours that are in contrast to each other, as I hope in a creative manner. Acrylic on canvas / 121.9 x 60.9 cm / 1968
Pebble Beach, Cal.
Famous Golf course and beautiful shaped landscape. Oil on Canvas / 60.9 x 81.2 cm / 2000
The Village Beneath
Although at first glance appearing like an abstract painting, the objects are viewed from way above. They then become familiar, as a hamlet with surrounding landscape. Acrylic on Masonite / 38.1 x 43.2 cm / 1999
Industry
An industrial chemical plant with steel structure, pipes and cylindrical container seemed a good subject to simulate with Hard Edge, using colour that is sober and unemotional. As to the method of Hard Edge paintings, refer to image Cliff Structure. Oil glazing on canvas / 81.2 x 91.4 cm / 1965
Neurosis
Attempt to make a dysfunctional psychological behavior in a drawing visible. Brain and heart are in a spider web entangled. Ink pen drawing and wash /1952
Forest Impressions
If it were not for the darkness, the shapes and filtered colours of a forest and its lucidity can remind one of a stained glass window. It is suggested that the tall trees of a forest grove can feel like a natural cathedral. Acrylic on canvas / 91.4 x 76.2 cm / 1968
Gesäuse, Aut.
After laying off painting for ten years and producing over that time rather abstract work, this is my second painting in which I begin a representational phase. With no intention ever to exhibit (because in the avant-garde world it would be retro), I was free to paint as I liked. For that, I chose the valley near […]
Robot, 1980
Imaginary construct of threatening automation. Air brush on paper / 1980
Trevor / 2010
Our grandson is almost six years old and looking forward to his school year. Portrait, Oil on Canvas / 40.4 x 30.4 cm / 2010 /Gifted
San Rafael Desert, Utah
This is as far as I would go with Realism. Still painterly. Oil on Canvas / 76.2 x 91.4 cm / 2004 / not for sale.
Beyond my Recollection
A series of paintings in a similar manner of brush strokes, that give the areas an almost poetic life. The subject is a psychological dilemma in which I am trying to solve what I vaguely remember only in a visual presentation. Oil on Canvas / 116cm x 86 cm / 1962
Jeanine / Inward
Spatial painting, expressed with effective colours and depth, still representational in my development. Jeanine is reflecting on something while sitting. Oil on canvas board / 40 cm x 30 cm / 1959
Night Life
Vibrant colours and energy of night. Oil on Cardboard / 35 cm x 46 cm / 1964
Vertical Flow / 3 panels
Unusual flow, shown in three panels, that begins in the sky, flows through a landscape and ends in a sea. Oil on canvas / 121.9 x 66.0 cm / 1995
Group of Pines
Somewhere in a remote northern forest on a misty day. Oil on canvas / 60.9 x 76.2 cm / 2007
Ancient Castle
The subject of this residence, so remote as fairy tales, is in the twilight unrecognizable but filled with warm surrounding. Oil on Canvas / 76.2 x 101.6 cm / 1964 / sold
The Sacrifice
Although the conflicts in the world have tapered off, all threats at the end of the cold war are still hovering over the superpowers between USA and Russia. The soldier underwater and diseased who offered his life by symbolically keeping missiles and weapons intact. With the lighted fuse toward a burning bomb, the consequence (already demonstrated in […]
First Sign of Spring
Crocuses end of March in Toronto. First sign of spring. Acrylic on Canvas / 38 cm x 43 cm / 1999
Chinese Mountains #2
Peculiar uprising of mountain ranges in an otherwise flat landscape. Oil on Canvas / 53 cm x 66 cm / 1985
Niagara Falls Frozen
Niagara Falls in Winter appears frozen and without thunder; still showing its impressive size. One of many interpretations a painter can have. Modeling Paste / Oil on Masonite / 61 cm x 91 cm / 1964
Riches of the Earth #1
My impressions of Kirkland Lake’s Mines of the past, with its internal structures we never see. Oil on Canvas / 51 cm x 66 cm / 1959
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