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Condition Unchanged
From the Series “The Element: Creation”. Within its body the Moonscape remains strangely unchanged. Mod. Paste / Acrylic / Air brush on canvas / 78.7 x 83.9 cm / 1969
Canadian Still-life
The painting although called representational, the arrangement of this Still-life is symbolic if not surreal. Oil on canvas board / 30 cm x 35 cm / 1954
Subsea
For someone like myself, growing up in a valley between mountains, the Subsea in the Bahamas was a new experience that enriched my palette. Oil on wood panel / 40.6 x 50.8 cm / 1993
Chinese Mountains #1
Peculiar uprising of mountain ranges in an otherwise flat landscape. Oil on Canvas board / 35.5 cm x 45.7 cm / 1984/ gift to friend in Switzerland
Sleeping Land
Winter is another word for this image. Oil on canvas / 76 cm x 101 cm / 1962 Sold
La Quinta, California
Following golf on television, this view came to my attention. I never envisioned painting a golf course, but this layout with the mountains as a contrast in the background changed my mind. Acrylic on canvas / 71.1 x 81.2 cm / 2000
Evil Exposed
Little devils, mischievous, light fires at all corners of the earth. Images that amuse when seen from the outside, appearing as comic strips, but felt within, the blazes burn like senseless hell. Eyes go astray and what we call soul becomes tormented by evaporating brains from glows of torturous tools while charity plunges into the […]
Gesäuse, Aut.
After laying off painting for ten years and producing over that time rather abstract work, this is my second painting in which I begin a representational phase. With no intention ever to exhibit (because in the avant-garde world it would be retro), I was free to paint as I liked. For that, I chose the valley near […]
Composition #1
Interference on a beach. Acrylic on Canvas board / 61 cm x 51 cm / 1995
Society and the Unexplored
Has perhaps a twofold meaning: One, the virtual expansion of land. Two, the other expansion of the mind. Acrylic on Canvas / 46 cm x 66 cm / 1967 / Sold
Landscape / 2003
A different take of an imaginary field with bushes and forest. Acrylic on canvas / 55.8 x 91.4 cm / 2003
W. A. Mozart / Copy
Loving Mozart’s music, the unfinished portrait by the painter Lange appealed to me. There is in my mind a very natural, reflective moment in Mozart’s personality that I attempted to copy. One can assume, while posing, he was filling the time by composing. Oil on canvas board / 50.8 x 40.6 cm / 1988
Energy in Space
In space and time – on earth the Egyptian’s worship. Oil on Canvas / 96 cm x 76 cm / 1999
Window in Winter
This is a Still-life with a landscape seen through a window in Winter. I used the same composition for “Window in Spring” and “Window in Autumn”. Oil on cardboard / 73 cm x 50 cm / 1957
Island in Space
Seemingly weightless mass in, not out of our space. Acrylic on Canvas / 76.2 x 76.2 cm / 1968
Creation
This painting is the introduction to the Series “The element: CREATION”. It simulates the Big Bang theory. Mod. Paste/ Acrylic/ Air brush on canvas / 96.5 x 76.2 cm / 1969 / Gifted to Grandson
Degenerate
This drawing is the result from a social observation. Ink pen drawing on paper / 1954
Pompeii’s Destruction
This rendering is a reflection on a long ago volcanic event in Pompeii. My interest in themes are becoming rather more Universal than Local. Oil on canvas / 70 cm x 81 cm / 1959
Hieroglyphic
Trying to paint images, symbols, which relate to humanity as it were in shorthand: blood flow, bird, figures, heart, emerging in daylight. Oil on canvas / 60.9 x 45.7 cm / 1998
Le Gorge du Tarn
Travelling narrow roads between a river and rocky mountains in the central region of France. Oil on canvas board / 50.8 x 40.6 cm / 1983 / family Casse, Bordeaux
Poppies in Vase
Showing the contradiction between the healthy poppies and the smoking cigarette in the ashtray. Oil on Canvas board / 50.8 x 40.6 cm / 1992
Order & Calculation Intruding
In my last three Hard Edge paintings before the decade of the sixties ended, I refrained from geometrical straight lines and employed open, loose forms. In this painting a small square that appears constructive and organized enters from the left like an intrusion. As to the method of Hard Edge paintings, refer to image Cliff […]
Mountains, air brush
At sunset in the mountains. Air brush on paper / 38 cm x 48 cm / 1989
Sudden Freedom
The blinding light after being kept in darkness. Applies also to no physical rescue and change but here through images expressed metaphorically. Oil on Canvas / 55.8 x 40.6 cm / 1960 / Sold
Rugged Mountains
Imaginary mountain landscape after an earlier drawing. Acrylic, mixed media on canvas / 75 cm x 101 cm / 2005
Transition / Sketch
A sketch to a later painting with the same title. Showing a figure entering a different sphere. Pen drawing on paper / 21 cm x 28 cm / 1979
Expiration
This painting belongs to the Series “The Element: CREATION” – in itself the title of a painting that illustrates the Big Bang theory. The series then ends with EXPIRATION assuming, as shown, that all created bodies expire eventually from the centre out, the same way everything began. Acrylic with air brush on canvas 86.3 x […]
Riches of the Earth # 3
The layers of rocks and minerals, down to the earth’s core. Mixed media, Acrylic on canvas / 91.4 x 101.6 cm / 1970
Venice / Copy
The CBC produced a documentary in 1994 about the Canadian painter James W. Morrice who lived, travelled, and painted in Europe for thirty years until his death in 1924. As a scenic artist, the production management asked me to reproduce this painting for the shoot. Oil on wood panel / 40cm x 50 cm / […]
The Sea
In this painting, the waves approaching the shore are mainly emphasized. Oil on canvas / 45.7 x 55.8 cm / 1986 / Gifted
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