Category Archives: 1990's

The Village Beneath

Although at first glance appearing like an abstract painting, the objects are viewed from way above. They then become familiar, as a hamlet with surrounding landscape. Acrylic on Masonite / 38.1 x 43.2 cm / 1999

Venice / Copy

The CBC produced a documentary in 1994 about the Canadian painter James W. Morrice who lived, travelled, and painted in Europe for thirty years until his death in 1924. As a scenic artist, the production management asked me to reproduce this painting for the shoot. Oil on wood panel / 40cm x 50 cm / 1994

North Ontario

This landscape is in its character only a simulation of Northern Ontario, and entirely freely composed. Acrylic on canvas board / 30 cm x 40 cm / 1997 / France

Zacharie & Evelyn Roitner

Our grandchildren in 1996. Oil on canvas board / 40 cm x 30 cm / 1996 / Gifted

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Town on a Slope
From imagination this suburb town, seen from above has a tendency toward a semi-abstract look but form and colour rather representational. Oil on canvas , 66 cm x 78 cm / 1964
Stormy Forest
Spelling it out – the title made it less suspenseful.
Still Life – Blue Vase and Flowers
Flower arrangement, composed of 4, each of primary colours. Oil on Canvas / 81 cm x 61 cm / 1964
St. Andre de Cubzac
Town of St. Andre de Cubzac, France, seen as it was in the 19th Century. Hometown of my late wife, Jeanine. The background with its vineyards and water tower is still the same. Modeling past and oil on Masonite / 60 cm x 90 cm / 1964
Sleeping Land
Winter is another word for this image. Oil on canvas / 76 cm x 101 cm / 1962 Sold
Still-life with Coffee Pot
Keeping within a loose interpretation of cubism, the following paintings give a cross-section of how choices in my topics would prove a different outcome; they vary, either in social, historical, or political themes; they show my interests, as what inspired me, and the interpretation I chose. “Still life w. Coffee Pot”, for instance, is a […]
Sextet
Inspired by interwoven patterns of music by J.S. Bach. Six linear geometrical forms overlap as six instruments play different, non-conflicting melodies in space and time. Perhaps I was ready to shake off old restrictions but still keeping structure and composition. Oil on canvas board / 76cm x 55cm / 1958
Self-Portrait
Although formally related to Cubism, it is of representational character. This painting stems from a time before travelling to Canada. The background hints faintly at the left of an easel that remains behind and to the right the Ocean I would soon cross. Oil on laminated Cardboard 48.cm x 34.cm / 1953
Roses in Vase
This is my last more detailed representational painting for the next twenty years. Oil on canvas board / 45cm x 40cm / 1958
Olga Neely / Kirkland Lake
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ann Neely to Toronto’s National Exhibition. Both Portraits of the Neely’s remained with the family. Oil on canvas board / 60 cm x 40 cm / 1954
Anne Neely
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ms. Anne Neely to Toronto’s National Exhibition. The Portrait remained with the family at Kirkland Lake, Ontario. Oil on canvas board / 50 cm x 40 cm / 1954
Canadian Still-life
The painting although called representational, the arrangement of this Still-life is symbolic if not surreal. Oil on canvas board / 30 cm x 35 cm / 1954
Pompeii’s Destruction
This rendering is a reflection on a long ago volcanic event in Pompeii. My interest in themes are becoming rather more Universal than Local. Oil on canvas / 70 cm x 81 cm / 1959
Jeanine, my Wife
Married two years, first painting of my gracious wife. Oil on canvas board / 40 cm x 26 cm / 1959
Jeanine / Inward
Spatial painting, expressed with effective colours and depth, still representational in my development. Jeanine is reflecting on something while sitting. Oil on canvas board / 40 cm x 30 cm / 1959
Window in Winter
This is a Still-life with a landscape seen through a window in Winter. I used the same composition for “Window in Spring” and “Window in Autumn”. Oil on cardboard / 73 cm x 50 cm / 1957