Since the first century before Christ and afterwards, the desert with its rock caves was a retreat for people who pondered over the mystery of life; who studied religious scriptures, recorded what was not in the interest to historians and came to rebellious conclusions. Overall, the void of the desert, without worldly distraction, stimulated by spiritual creativity. Oil on canvas board / 55.8 x 71.1 cm / 1983
In the past, the image of a sower in the fields expressed the change (transition) from a seed to a fruit in one way or another. This painting shows a sower in his movement, spreading the seed, in the present, moving towards the timeless future, in which we don’t know what he will reap. Oil on canvas / 55.8 x 66.0 cm / 1983
Although the conflicts in the world have tapered off, all threats at the end of the cold war are still hovering over the superpowers between USA and Russia. The soldier underwater and diseased who offered his life by symbolically keeping missiles and weapons intact. With the lighted fuse toward a burning bomb, the consequence (already demonstrated in the past) is seen above the water on the horizon. Oil on canvas / 91.4 x 60.9 cm / 1986
From imagination this suburb town, seen from above has a tendency toward a semi-abstract look but form and colour rather representational. Oil on canvas , 66 cm x 78 cm / 1964
Spelling it out – the title made it less suspenseful.
Flower arrangement, composed of 4, each of primary colours. Oil on Canvas / 81 cm x 61 cm / 1964
Town of St. Andre de Cubzac, France, seen as it was in the 19th Century. Hometown of my late wife, Jeanine. The background with its vineyards and water tower is still the same. Modeling past and oil on Masonite / 60 cm x 90 cm / 1964
Winter is another word for this image. Oil on canvas / 76 cm x 101 cm / 1962 Sold
Keeping within a loose interpretation of cubism, the following paintings give a cross-section of how choices in my topics would prove a different outcome; they vary, either in social, historical, or political themes; they show my interests, as what inspired me, and the interpretation I chose. “Still life w. Coffee Pot”, for instance, is a […]
Inspired by interwoven patterns of music by J.S. Bach. Six linear geometrical forms overlap as six instruments play different, non-conflicting melodies in space and time. Perhaps I was ready to shake off old restrictions but still keeping structure and composition. Oil on canvas board / 76cm x 55cm / 1958
Although formally related to Cubism, it is of representational character. This painting stems from a time before travelling to Canada. The background hints faintly at the left of an easel that remains behind and to the right the Ocean I would soon cross. Oil on laminated Cardboard 48.cm x 34.cm / 1953
This is my last more detailed representational painting for the next twenty years. Oil on canvas board / 45cm x 40cm / 1958
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ann Neely to Toronto’s National Exhibition. Both Portraits of the Neely’s remained with the family. Oil on canvas board / 60 cm x 40 cm / 1954
At a Northern Ontario Exhibition in Timmins, they awarded me with three first prizes and sent the portrait of Ms. Anne Neely to Toronto’s National Exhibition. The Portrait remained with the family at Kirkland Lake, Ontario. Oil on canvas board / 50 cm x 40 cm / 1954
The painting although called representational, the arrangement of this Still-life is symbolic if not surreal. Oil on canvas board / 30 cm x 35 cm / 1954
This rendering is a reflection on a long ago volcanic event in Pompeii. My interest in themes are becoming rather more Universal than Local. Oil on canvas / 70 cm x 81 cm / 1959
Married two years, first painting of my gracious wife. Oil on canvas board / 40 cm x 26 cm / 1959
Spatial painting, expressed with effective colours and depth, still representational in my development. Jeanine is reflecting on something while sitting. Oil on canvas board / 40 cm x 30 cm / 1959
This is a Still-life with a landscape seen through a window in Winter. I used the same composition for “Window in Spring” and “Window in Autumn”. Oil on cardboard / 73 cm x 50 cm / 1957
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