Portrait, the profile of my nephew, Helmut. Pencil on paper / 1949
Aside from the diversity of all the patterns displayed, note that a line begins at the upper left that has no dead-end but coincides to create fields with many different shapes and sizes. Those patterns have again various shades and graphic designs, in contrast to its surrounding. This type of spontaneous creativity and method I have used before and after in a number of abstract paintings, such as “Composition Textured” and “Impromptu”. Pencil on paper / 20.3 x 25.4 cm / 1998
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